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Breaking Bronze

Published: June 25, 2014 (Issue # 1817)



  • The Bronze Horseman stands tall over Senate Square to this day.
    Photo: Wikimedia Commons

The Bronze Horseman, the famous statue of Peter the Great immortalized by Pushkin and which stands sentinel on the southern shore of the Neva, is one of the most recognized symbols of the city. It is considered to be a masterpiece, an imposing edifice symbolizing the power of autocratic rule; a masterpiece its creator would never see finished.

In the 1760s, at the beginning of the reign of Catherine II, better known in the Western world as Catherine the Great, the Empress wanted to build a monument that physically expressed the monarchs bond to the lineage of Russias great rulers, despite her German heritage. Yet she did not believe any artist in Russia was capable of taking the lead on such a project, so she asked her ambassador in Paris to find someone willing to work for the right price.

Through the Enlightment philosopher Denis Diderot, the ambassador was introduced to Etienne Maurice Falconet, the director of a sculpture workshop in a French porcelain factory who was renowned for his small figures but had never built anything on the large scale Catherine wanted. He was not a vastly talented sculptor but he was competent and, more importantly, willing to work for less than what more accomplished artists demanded. He accepted the Empress offer and moved to St. Petersburg in 1766 to begin his work.

After three years of work, an incomplete model of the statue was revealed to the public to mixed reactions. Some did not understand why there was a serpent beneath the horses hooves and they told Falconet he should remove it, not understanding that the serpent was essential to the statues ability to stand. A finished model was presented a year later to yet more criticism. Some claimed that Peter looked more like a Roman emperor than a Russian tsar because of the clothes he wore. Catherine had to reassure her obsequious sculptor, telling him in a letter, you cant please everybody.

Despite her initial assurances, Catherine grew more and more frustrated as the project dragged on. Once the base, a 1,500-ton boulder discovered in Finnish Karelia, was put in place, it took another four years to both find a casting master and to construct the mold for the statue. There were a series of failures during the casting and as time wore on and the cost rose, relations between Falconet and Catherine, who could not understand why there were such delays, frayed. Eventually, Catherine grew tired of her sculptor and asked for two Italian architects, telling the man in charge of hiring them that, You will choose honest and reasonable people, not dreamers like Falconet; [I want] people who walk on the earth, not in the air.

After 12 years, with the project still unfinished and Falconet tired of the constant criticism and the icy demeanor of the Empress, the sculptor asked Catherine for permission to leave Russia. She agreed and paid him the money he was due, but did not see him before he left. Falconet, a broken man, returned to Paris. He never sculpted again.

It would be another four years before the finished piece was unveiled on Senate Square on Aug. 7, 1782. In all, Falconets masterpiece, which he never saw completed, took 16 years to build. The statue of Peter atop his horse, looking out at the city he built, is now one of the citys most popular tourist attractions.





 


ALL ABOUT TOWN

Thursday, Oct. 2


The celebration of the bicentennial of the birth of Mikhail Lermontov continues with todays free exhibition in the citys Lermontov Library at 19 Liteiny Prospekt. Titled Under the Rustling Wings, the temporary exhibition will feature the costumes and scenery used in the 1917 production of Lermontovs play The Masquerade, which he wrote in 1835 when he was only 21 years old.



Friday, Oct. 3


Learn more about how to manage and evaluate employee performance during SPIBAs Human Resources Committee meeting this morning on Employee Assessment: Global and Local Trends. Starting at 9:30 a.m., the discussion will touch on such topics as the partnership between HR and business, reliable assessment strategies and more, with Tatiana Andrianova, the head of the SHL Russia and CIS branch in St. Petersburg, as the featured guest. Confirm your participation by Oct. 2 by emailing office@spiba.ru or calling 325 9091.


AmChams Procurement Committee Meeting is at 9 a.m. this morning in their office in the New St. Isaac Office Center on Ulitsa Yakubovicha.



Saturday, Oct. 4


Wine and cheese lovers will get their chance to revel during Scandinavia Country Club and Spas Wine Market Weekend. Going on today and tomorrow, wining diners can listen to live music, take part in culinary classes and, of course, sample a variety of fine wines from around the world. The cost of admission is 400 rubles ($10.30) for adults and 200 rubles ($5.15) for children.



Sunday, Oct. 5


Look for the latest fall fashions at the Autumn Market today in Freedom Anticafe at 7 Kazanskaya Ulitsa. The minimarket plans to offer clothes more flattering than the puffy jackets that are a staple of the citys cold-weather fashion, while offering the same amount of protection from the biting winds blowing off of the Baltic.



Monday, Oct. 6


SKA St. Petersburg, the citys KHL affiliate, welcomes Slovakian club HC Slovan in a match-up tonight at the Ice Palace near the Prospekt Bolshevikov metro station. The puck drops at 7:30 p.m. and tickets can be purchased on the clubs website or in person at either the arenas box office or the clubs merchandise store on Nevsky Prospekt.



Tuesday, Oct. 7


Learn more about Russias energy industry at the St. Petersburg Energy Forum that begins today and runs through Oct. 10. Attracting industry experts and political and business representatives, the forum plans to welcome more than 350 plus companies and their representatives to discuss the future of Russias largest economic sector.



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